(PR Invite) Written by Sasha Wilson and produced by Claire Gilbert for Out Of The Forest Theatre, Bury The Hatchet is a 75-minute retelling of the story of Lizzie Borden.

(PR Invite) Written and performed by Mehmet Ali Nuroğlu, Dünyada is a solo theatrical performance which ran in London for one week at The Cockpit.

(PR Invite) Written by Sarah Tara Ray, Our Mothers’ Daughters follows three best friends as they navigate adulthood and self-discovery.

(PR Invite) Every once in a while, you come across a play that completely hooks you, and you want nothing more than to see it again after leaving, still thinking about it days later. This is exactly how I felt watching Firebird — an incredibly harrowing and powerful story about Tia, a girl who has been in care since she was three. She forms a connection with a man she thinks she can trust, but it ultimately unfolds into a deeply real story about grooming.

(PR Invite) Do Not Attempt This Conversation is a 50-minute play that highlights the difficulty and reality of conversations with family members about end-of-life care.

(PR Invite) The story follows Gina, who is destined to have a child that will save half the human race — if her life unfolds according to plan. However, when she unexpectedly meets Archie, her future begins to shift, creating a “flutter” that alters the course of her destiny.

(PR Invite) Written and produced by Liz Tait, Who Do They Think They Are? follows four middle-aged college friends as they reunite for a dance workshop.

(PR Invite) Written and directed by Rufaro Museva-Sauti, Pillow Talk follows Ben and Rachel, a couple who have been together for eight years and tell each other everything... or do they?

(PR Invite) I Made You A Mixtape is neither a play nor a musical – something we're told at the top of the show. What it is, though, is a really beautiful piece of theatre. One that I genuinely teared up at multiple times while simultaneously watching with the biggest smile on my face.

(PR Invite) The Last Man is a 1 hour 40 minute rock musical (plus an interval) set in Seoul and is currently making its world premiere of the newly reimagined English-language version at the Southwark Playhouse Elephant. The show has book and lyrics by Jishik Kim, music by Seungyeon Kwon and is directed by Daljung Kim.

(PR Invite) Written by Eva Regan, Drunk Girls Cry Here is an approximately 60-minute (according to the website) play, primarily set in the ladies’ toilet of a pub.

(PR Invite) Set in the 90s, this 80-minute two-hander from Emeka Agada takes the audience on a tense journey through revolution, identity and justice.

(PR Invite) Written by Roo Berry, Megan Farquhar, Lauren Foreman and Tia Ray, this brand-new original folk musical is inspired by a true story.

(PR Invite) Written by Theo Jamieson, Flyby is a brand-new original British musical currently staging its world premiere at Southwark Playhouse.

(PR Invite) This performance brought together two one-act plays by Thornton Wilder, staged back to back over the course of the evening.

(PR Invite) Written by Andrew Singer (a research scientist in the UK) and Christina James (a founder member of Bloodline Theatre), the play follows Professor Augustus Jamieson (Gus), a microbiologist on the brink of eradicating rabies and averting future pandemics with a new self-spreading vaccine for bats.

(PR Invite) Set in late 90s Doncaster, Children of the Night is a nostalgic and heartfelt look at working-class life on the cusp of a new millennium.

(PR Invite) Written by Morgane Rogers, You Killed My Cat is a new 50-minute play produced by Poor Penny Productions. The play opens with Mary alone in her kitchen, clearly on edge, when a stranger turns up at her door claiming he’s found her missing cat — or at least part of it.

(PR Invite) Based on a true story, this 75-minute play explores love, loss, and the reality of living with grief.

(PR Invite) Following a 2024 run at the Alphabetti Theatre, Little Miss Christmas has landed in London for the Christmas season.